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NICC Membership

NICC is a non-profit artists initiative run by and for artists, it is founded by professional visual artists in order to advocate their rights. Our aim is to set up a qualitative social framework within which the autonomous artistic practice can develop professionally.

NICC functions as a mediator between the artists and the government, art organizations, and other actors in the cultural field. In addition to a program of social actions, reflection, and research, the NICC presents an artistic program of lectures, exhibitions, symposiums, and presentations on contemporary professional practice.

By becoming a member you help give a voice to artists.

Membership is free for the first year, In the second year, you will be asked for a donation. You can always support us, BE79 7350 4576 9133. If you make a donation please mention 'membership 2021'. Thank you!

By subscribing as a NICC member you will be kept informed monthly on all our activities, our events, and projects. Each joining member can apply to the board to become a member of the general meeting.

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Tehching Hsieh

We are proud to present a talk with Tehching Hsieh at Nick Lodgers 'Tehching Hsieh Lifeworks 1978-1999'. This talk is also the finisage of the Exhibition 'I would prefer not to'.

Tehching Hsieh was born on December 31st 1950 in Nan-Chou, Taiwan. Hsieh dropped out from high school in 1967 and took up painting. After finishing his army service (1970 – 1973), Hsieh had his first solo show at the gallery of the American News Bureau in Taiwan. Shortly after this solo show, Hsieh stopped painting. He made a performance action, Jump, in which he broke both of his ankles. He trained as a seaman, which he then used as a means to enter the United States. In July of 1974, Hsieh finally arrived at a small port near Philadelphia. He was an illegal immigrant in the States for fourteen years until he was granted amnesty in 1988.

Starting in the late 1970s, Hsieh made five One Year Performances and a ‘Thirteen Year Plan’, inside and outside his studio in New York City. Using long durations, making art and life simultaneous, Hsieh achieved one of the most radical approaches in contemporary art. The first four One Year Performances made Hsieh a regular name in the art scene in New York; the last two pieces, intentionally retreating from the art world, set a tone of sustained invisibility. Since the millennium, released from the restriction of not showing his works during a thirteen-year period, Hsieh has exhibited his work in North and South America, Asia and Europe. His recent exhibitions Doing Time was presented by Taiwan Pavilion at 57th Venice Art Biennale 2017, and One Year Performance, 1980-1981 was exhibited at Tate Modern, London in 2017-2018. Hsieh lives in Brooklyn and is represented by Sean Kelly Gallery.