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NICC Membership

NICC is a social and artistic organisation founded by professional visual artists in order to advocate their rights. NICC functions as a mediator between the artists and the government, art organisations and other actors in the cultural field. By becoming a member you help give a voice to artists.

Membership costs only 12 euros. Transfer this amount to BE79 7350 4576 9133 with the message 'membership 2020'.

On showing your membership card you receive a variety of advantages and discounts at museums, shops and on subscriptions to <H>Art Magazine. Your card is valid for one year.

NICC develops an artistic and social program of artists talks, exhibitions and debates. By sending your contact details to NICC you will be invited to all projects and events.

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Tehching Hsieh

We are proud to present a talk with Tehching Hsieh at Nick Lodgers 'Tehching Hsieh Lifeworks 1978-1999'. This talk is also the finisage of the Exhibition 'I would prefer not to'.

Tehching Hsieh was born on December 31st 1950 in Nan-Chou, Taiwan. Hsieh dropped out from high school in 1967 and took up painting. After finishing his army service (1970 – 1973), Hsieh had his first solo show at the gallery of the American News Bureau in Taiwan. Shortly after this solo show, Hsieh stopped painting. He made a performance action, Jump, in which he broke both of his ankles. He trained as a seaman, which he then used as a means to enter the United States. In July of 1974, Hsieh finally arrived at a small port near Philadelphia. He was an illegal immigrant in the States for fourteen years until he was granted amnesty in 1988.

Starting in the late 1970s, Hsieh made five One Year Performances and a ‘Thirteen Year Plan’, inside and outside his studio in New York City. Using long durations, making art and life simultaneous, Hsieh achieved one of the most radical approaches in contemporary art. The first four One Year Performances made Hsieh a regular name in the art scene in New York; the last two pieces, intentionally retreating from the art world, set a tone of sustained invisibility. Since the millennium, released from the restriction of not showing his works during a thirteen-year period, Hsieh has exhibited his work in North and South America, Asia and Europe. His recent exhibitions Doing Time was presented by Taiwan Pavilion at 57th Venice Art Biennale 2017, and One Year Performance, 1980-1981 was exhibited at Tate Modern, London in 2017-2018. Hsieh lives in Brooklyn and is represented by Sean Kelly Gallery.