close

NICC Membership

NICC is a non-profit artists initiative run by and for artists, it is founded by professional visual artists in order to advocate their rights. Our aim is to set up a qualitative social framework within which the autonomous artistic practice can develop professionally.

NICC functions as a mediator between the artists and the government, art organizations, and other actors in the cultural field. In addition to a program of social actions, reflection, and research, the NICC presents an artistic program of lectures, exhibitions, symposiums, and presentations on contemporary professional practice.

By becoming a member you help give a voice to artists.

Membership is free for the first year, In the second year, you will be asked for a donation. You can always support us, BE79 7350 4576 9133. If you make a donation please mention 'membership 2021'. Thank you!

By subscribing as a NICC member you will be kept informed monthly on all our activities, our events, and projects. Each joining member can apply to the board to become a member of the general meeting.

Fill in the form below to become a member.

Become a NICC member.

First name

Last name

Address

Email

Subscribe to the newsletter.

Spam protection

Type the text above in the box below:

close

Subscribe to our mailing list

Stay up to date with the NICC newsletter.





Eric Croes & Jean-Baptiste Bernadet.

Opening Vitrine on Saturday 23.06.2018

We are proud to host a new project with Eric Croes & Jean-Baptiste Bernadet. + A performance of Céline Gillain at the opening.

NICC presents a window display exhibition entitled Le Quart d’Heure Américain featuring works by painter Jean-Baptiste Bernadet (b. 1978 Paris, lives in New York) and sculptor Eric Croes (b. 1978 La Louvière, lives in Brussels). The show includes a brightly hued suspended canvas by Bernadet that serves as a tableau backdrop for a series of sculptural pieces by Croes. The latter’s anthropomorphic models reference the American desert and take the form of a cowboy hat, cowboy boot, booze jug, and cacti. These models resemble birdhouses, alluding to treehouses and other childhood wonders. Bernadet’s dreamlike landscape connotes the bright, radiant sunset of the old film classic Gone With the Wind (1939), and together both artist’s works come together as a vivid, hallucinatory diorama.

The show’s title considers both the temporal limits and potential of this particular allotment of time. For the duo, this interval takes on various forms that range from the time spent looking at NICC’s window display, to brief meetings the artists scheduled to discuss the project, to broader conceptual or historical implications like the interval allotted at a party to inverse the age old unwritten rule where women might ask the men to dance known as Sadie Hawkins. In this exhibition, fifteen minutes can represent both an eternity and a fleeting, ephemeral moment.

Bernadet and Croes have participated in residencies together in Switzerland and France where they collaborated on numerous projects and have shown their work together in various group exhibitions. For the exhibition’s opening reception, Brussels-based artist Céline Gillain (b. 1979 Liège, lives in Brussels) will present a performance. Taking cues from the exhibition’s themes, Gillain’s performance will resemble a hybrid lecture, combining storytelling, gossip, and in-depth research into bird songs.